{"id":3622,"date":"2016-12-28T13:09:34","date_gmt":"2016-12-28T18:09:34","guid":{"rendered":"https:\/\/galeriereneblouin.dreamhosters.com\/?post_type=project&p=3622"},"modified":"2020-07-18T11:28:13","modified_gmt":"2020-07-18T15:28:13","slug":"genevieve-cadieux","status":"publish","type":"project","link":"https:\/\/galeriereneblouin.dreamhosters.com\/index.php\/project\/genevieve-cadieux\/","title":{"rendered":"GENEVI\u00c8VE CADIEUX"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″ custom_padding=”39px|0px|47.7167px|0px”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” inline_fonts=”Arimo”]GENEVI\u00c8VE CADIEUX<\/span>
\n[\/et_pb_text][et_pb_gallery gallery_ids=”4960,482,2125,2126,23,22,2120,131,132,13,19,4959,10,18″ gallery_captions=”Genevi\u00e8ve Cadieux, Ghost Ranch, 2016, impression au jet d\u2019encre sur papier chiffon rehauss\u00e9e \u00e0 la feuille de palladium, 10 x 9,8 pieds,Genevi\u00e8ve Cadieux, Silver River, 2016, Impression sur papier chiffon rehauss\u00e9e \u00e0 la feuille d\u2019aluminium, 58 x 84 pouces, Galerie Ren\u00e9 Blouin Exposition du 30e anniversaire 20 ao\u00fbt au 8 octobre 2016, Genevi\u00e8ve Cadieux, Cr\u00e9dit photo : Guy L’Heureux,Marfa (trois fleurs blanches), 2015, \u00e9d 1\/2 impression au jet d\u2019encre pigment\u00e9e sur papier baryt\u00e9 Hahnem\u00fchle, mont\u00e9e sur aluminium, 241,3 x 299,7 cm \/ 95 x 118 pouces, Genevi\u00e8ve Cadieux, Vue de l\u2019exposition (2015) Photo: Guy L’Heureux,Marfa (trois fleurs noires), 2015, \u00e9d 1\/2 impression au jet d\u2019encre pigment\u00e9e sur papier baryt\u00e9 Hahnem\u00fchle, mont\u00e9e sur aluminium, 241,3 x 299,7 cm \/ 95 x 118 pouces, Genevi\u00e8ve Cadieux, Vue de l\u2019exposition (2015) Photo: Guy L’Heureux,Genevi\u00e8ve Cadieux, Flow (positif), 2014 impression au jet d\u2019encre pigment\u00e9e sur papier baryt\u00e9 Hahnem\u00fchle, feuilles d\u2019aluminium 156,2 x 321,3 cm \/ 61.5 x 126.5 pouces Cr\u00e9dit Photo : Guy L’Heureux,Genevi\u00e8ve Cadieux, Flow (n\u00e9gatif), 2015 impression au jet d\u2019encre pigment\u00e9e sur papier baryt\u00e9 Hahnem\u00fchle, feuilles d\u2019aluminium 156,2 x 321,3 cm \/ 61.5 x 126.5 pouces Cr\u00e9dit Photo : Guy L’Heureux,Scintillements 2, 2014 impression au jet d\u2019encre sur papier chiffon photo Hahnem\u00fchle, feuilles d\u2019aluminium 114,3 x 87,6 cm \/ 45 x 34.5 pouces, Genevi\u00e8ve Cadieux, Vue de l\u2019exposition (2015) Photo: Guy L’Heureux,Genevi\u00e8ve Cadieux, Le jour et la nuit, 2012
\n\u00c9dition 2\/5
\nimpression au jet d\u2019encre pigment\u00e9e sur papier chiffon photo Hahnem\u00fchle
\n14.4 x 25.7 pouces
\n,Genevi\u00e8ve Cadieux, Marfa, 2011, \u00e9d : 1\/2, diptyque \u00e9preuve \u00e0 d\u00e9veloppement chromog\u00e8ne mont\u00e9e sur aluminium, 287 x 356,2 cm \/ 113 x 140.25 pouces (chaque \u00e9l\u00e9ment) Vue de l\u2019exposition, Blancs Marie-Claire Blais | Genevi\u00e8ve Cadieux | Chris Kline\t28 juin au 20 septembre 2014, Cr\u00e9dit photo : Guy L\u2019Heureux,Genevi\u00e8ve Cadieux, An\u00e9mone, 2009 2 \u00e9l\u00e9ments, \u00e9dition de 2 127 x 160 x 7 cm \/ 50 x 63 x 2.75 pouces chaque \u00e9l\u00e9ment encadr\u00e9 Cr\u00e9dit Photo : Richard-Max Tremblay,Genevieve Cadieux, Ivy, 2009 \u00e9dition de 5 impression au jet d\u2019encre pigment\u00e9e sur papier chiffon photo Hahnem\u00fchle 109,5 x 85,1 cm \/ 43.1 x 33.5 pouces Cr\u00e9dit Photo : Richard-Max Tremblay,Genevi\u00e8ve Cadieux, Arbre flou, 2009, impression au jet d\u2019encre pigment\u00e9e sur papier chiffon photo Hahnem\u00fchle, 148,6 x 206 x 8,2 cm \/ 58.5 x 81.1 x 3.25 pouces,Genevi\u00e8ve Cadieux, (1) Rivi\u00e8re noire, 2009 \u00e9dition : 1\/2 \u00e9preuve chromog\u00e8ne mont\u00e9e sur aluminium 213,4 x 297,2 x 6,6 cm \/ 84 x 117 x 2.6 pouces (2) Arbre flou, 2009 \u00e9dition : 1\/2 impression au jet d\u2019encre pigment\u00e9e sur papier chiffon photo Hahnem\u00fchle 148,6 x 206 x 8,2 cm \/ 58.5 x 81.1 x 3.25 pouces Cr\u00e9dit Photo : Richard-Max Tremblay,Genevi\u00e8ve Cadieux, Fleur exquise, 2006 impression au jet d\u2019encre sur papier chiffon 146 x 184,1 cm 57 1\/2 x 72 1\/2 pouces, Cr\u00e9dit Photo : Guy L’Heureux” show_title_and_caption=”off” admin_label=”Gallery” _builder_version=”3.0.105″] [\/et_pb_gallery][et_pb_text admin_label=”Text” _builder_version=”4.4.8″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″]<\/p>\n

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BIOGRAPHIE<\/p>\n

 <\/p>\n

N\u00e9e \u00e0 Montr\u00e9al en 1955. Vit et travaille \u00e0 Montr\u00e9al.<\/p>\n

 <\/p>\n

Les travaux de Genevi\u00e8ve Cadieux explorent le champ d\u2019interf\u00e9rence du passage des images obtenu par les modes d\u2019enregistrement et de production de l\u2019image photographique.\u00a0<\/span>Faisant appel \u00e0 des mat\u00e9riaux aussi vari\u00e9s que le verre, le bronze, les techniques de gravure, le son, la vid\u00e9o et la lumi\u00e8re, mais gravitant surtout autour de la photographie, son \u0153uvre explore la po\u00e9tique du regard \u00e0 travers les dispositifs de la photographie et de la cin\u00e9matographie.\u00a0Genevi\u00e8ve Cadieux per\u00e7oit l\u2019image photographique comme une blessure lumineuse de l\u2019\u00e9mulsion.\u00a0\u00a0<\/span>Elle s’int\u00e9resse particuli\u00e8rement au pouvoir \u00e9vocateur des m\u00e9canismes de production de l’image photographique \/ l’image reproduite m\u00e9caniquement, et aux questions relatives \u00e0 la vision et \u00e0 la perception dans la culture du XXe si\u00e8cle.<\/p>\n

 <\/p>\n

La r\u00e9alisation de ses \u0153uvres t\u00e9moigne de l\u2019emploi de technologies num\u00e9riques, de techniques d\u2019impression et de montage innovatrices, \u00e0 la fine pointe du d\u00e9veloppement actuel de la production de l\u2019image photographique.<\/span><\/p>\n

<\/span><\/p>\n

Pour plus d’informations, consultez le www.blouin-division.com<\/a>
<\/a><\/p>\n

 <\/p>\n

Histoire des expositions<\/a><\/p>\n

 <\/p>\n

BIOGRAPHY<\/p>\n

 <\/p>\n

Born in Montreal in 1955. Lives and works in Montreal.<\/span><\/p>\n

 <\/p>\n

Genevi\u00e8ve Cadieux\u2019s work is situated within the ambiguous locus between photographic and filmic modes of representation. In her production, the photographic image occupies a central position focussing on such subjects as the human body, landscape and language. While the majority of her work utilizes large scale photographs, she has also used sculpture (bronze and glass), sound, film and video projections.<\/span><\/p>\n

 <\/p>\n

For more information, please consult www.blouin-division.com<\/a><\/p>\n

 <\/p>\n

Exhibition history<\/a><\/p>\n

 <\/p>\n

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GENEVI\u00c8VE CADIEUX   BIOGRAPHIE   N\u00e9e \u00e0 Montr\u00e9al en 1955. Vit et travaille \u00e0 Montr\u00e9al.   Les travaux de Genevi\u00e8ve Cadieux explorent le champ d\u2019interf\u00e9rence du passage des images obtenu par les modes d\u2019enregistrement et de production de l\u2019image photographique.\u00a0Faisant appel \u00e0 des mat\u00e9riaux aussi vari\u00e9s que le verre, le bronze, les techniques de gravure, […]<\/p>\n","protected":false},"author":1,"featured_media":2125,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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Francine Savard<\/h3>

[\/et_pb_text][et_pb_gallery global_parent=\"1058\" admin_label=\"Gallery\" gallery_ids=\"252,251,250,249,248,247,246\" fullwidth=\"off\" show_title_and_caption=\"off\" show_pagination=\"on\" background_layout=\"light\" auto=\"off\" auto_speed=\"7000\" hover_overlay_color=\"rgba(255,255,255,0.9)\" caption_all_caps=\"off\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\"] [\/et_pb_gallery][et_pb_text global_parent=\"1058\" admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\" use_border_color=\"off\" border_style=\"solid\" disabled=\"off\" border_color=\"#ffffff\"]<\/p>

BIOGRAPHIE<\/p>

N\u00e9e \u00e0 Montr\u00e9al en 1954, vit et travaille \u00e0 Montr\u00e9al.<\/p>

La peinture est le sujet du travail de Francine Savard. Clins d'oeil enjou\u00e9s \u00e0 la peinture formaliste, les toiles de Francine Savard, mises en espace d'une mani\u00e8re tr\u00e8s sp\u00e9cifique, se r\u00e9v\u00e8lent simultan\u00e9ment dans l'\u00e9vidence de la minutie extr\u00eame de leur processus de fabrication et dans leurs complexes r\u00e9seaux de r\u00e9f\u00e9rences \u00e0 l'histoire et au discours de\/et sur la peinture.<\/p>

Histoire des Expositions<\/p>

Born in Montr\u00e9al in 1954, lives and works in Montreal.<\/p>

Painting is both the subject matter and the form of Francine Savard's work. Playful allusions to specific moments in the history of modernist practice, her meticulously painted monochrome canvasses, often shaped, draw on a complex knot of references to conceptual approaches, motifs and paradigms to renew the poetics of the painted image.<\/p>

Exhibition History<\/p>

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