{"id":3632,"date":"2016-12-12T14:10:07","date_gmt":"2016-12-12T19:10:07","guid":{"rendered":"https:\/\/galeriereneblouin.dreamhosters.com\/?post_type=project&p=3632"},"modified":"2020-07-18T11:47:01","modified_gmt":"2020-07-18T15:47:01","slug":"nicolas-lachance","status":"publish","type":"project","link":"https:\/\/galeriereneblouin.dreamhosters.com\/index.php\/project\/nicolas-lachance\/","title":{"rendered":"NICOLAS LACHANCE"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”3.22″ custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” padding_mobile=”off”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” inline_fonts=”Arimo”]NICOLAS LACHANCE<\/span>
\n[\/et_pb_text][et_pb_gallery gallery_ids=”8154,8155,7248,7273,7274,374,376,7634,372,1827,7623,7260,7261,7628,7252″ show_title_and_caption=”off” admin_label=”Gallery” _builder_version=”4.2.2″] [\/et_pb_gallery][et_pb_text admin_label=”Text” _builder_version=”4.4.8″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″]<\/p>\n

BIOGRAPHIE<\/p>\n

 <\/p>\n

Nicolas Lachance vit et travaille \u00e0 Montr\u00e9al.<\/p>\n

 <\/p>\n

D\u2019apparence h\u00e9t\u00e9rog\u00e8ne, la pratique picturale de Nicolas Lachance traque avec obstination les ph\u00e9nom\u00e8nes d\u2019apparition et de disparition de l\u2019image. Cette recherche se traduit par une s\u00e9rie de paradoxes : la m\u00e9taphore photographique sert de matrice \u00e0 un travail manuel long et laborieux, les gestes d\u2019alt\u00e9ration hantent les proc\u00e9dures de duplication de l\u2019image, le rebut flirte avec le monochrome, la tentation du kitsch, avec l\u2019installation post-conceptuelle. La notion de filtre articule ces tensions \u00e0 m\u00eame la surface picturale, qui devient le lieu privil\u00e9gi\u00e9 d\u2019une saisie : d\u2019un c\u00f4t\u00e9, le filtre soustrait \u2013 il cadre les afflux de mati\u00e8re, la transforme et en r\u00e9gule l\u2019\u00e9panchement, mais de l\u2019autre, il cultive les traces des r\u00e9sidus amass\u00e9s dans l\u2019atelier (poussi\u00e8re, images trouv\u00e9es, objets d\u2019occasion), il cumule les d\u00e9p\u00f4ts palimpsestes de travaux ant\u00e9rieurs, comme autant de catalyseurs qui reconfigurent \u00e0 chaque fois les mailles d\u2019un filet tendu, peut-\u00eatre moins \u00e0 l\u2019image, qu\u2019\u00e0 notre propre regard. – Ji-Yoon Han<\/p>\n

Pour plus d’informations, consultez le www.blouin-division.com<\/a><\/p>\n

 <\/p>\n

Histoire des expositions<\/a><\/p>\n

 <\/p>\n

BIOGRAPHY<\/p>\n

 <\/p>\n

Nicolas Lachance lives and works in Montreal.<\/p>\n

 <\/p>\n

Seemingly heterogeneous, Nicolas Lachance\u2019s pictorial practice tenaciously pursues the phenomena of appearance and disappearance. This exploration has resulted in a series of paradoxes.\u00a0The photographic metaphor serves as a starting point for a long and labour intensive work:\u00a0gestures of alteration haunt the procedures by which an image is duplicated,\u00a0rubbish flirts with monochrome,\u00a0and\u00a0the temptation of kitsch, with post-conceptual installation. The concept of the filter articulates these tensions. Even the pictorial surface becomes a fixation: on one hand, the filter subtracts \u2013 it mediates the flow of material, transforms and regulates effusion, on the other hand, it cultivates the traces of residue collected in the workshop (dust, images, objects used)\u2014it accumulates deposits, a palimpsest of earlier work, as a multiplicity of catalysts repeatedly reconfigures the meshes of a tightly stretched net, perhaps less evident in the image itself, than in our own regard. – Ji-Yoon Han<\/p>\n

For more information, please consult www.blouin-division.com<\/a><\/p>\n

 <\/p>\n

Exhibition history<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”Section” _builder_version=”3.22″ custom_padding=”54px|0px|9px|0px” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” padding_mobile=”off”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”Row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”0px|0px|0px|0px”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”]EXPOSITIONS PAR ANN\u00c9E
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”3.0.74″ background_color=”rgba(2,255,221,0.32)” custom_padding=”0px|0px|0px|0px” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” global_module=”1033″][et_pb_fullwidth_menu menu_id=”30″ submenu_direction=”upwards” fullwidth_menu=”off” active_link_color=”rgba(170,102,0,0.7)” _builder_version=”3.19.10″ menu_font=”|||on|” menu_font_size=”13px” menu_line_height=”0.15em”][\/et_pb_fullwidth_menu][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

NICOLAS LACHANCE BIOGRAPHIE   Nicolas Lachance vit et travaille \u00e0 Montr\u00e9al.   D\u2019apparence h\u00e9t\u00e9rog\u00e8ne, la pratique picturale de Nicolas Lachance traque avec obstination les ph\u00e9nom\u00e8nes d\u2019apparition et de disparition de l\u2019image. Cette recherche se traduit par une s\u00e9rie de paradoxes : la m\u00e9taphore photographique sert de matrice \u00e0 un travail manuel long et laborieux, les […]<\/p>\n","protected":false},"author":1,"featured_media":2154,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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Francine Savard<\/h3>

[\/et_pb_text][et_pb_gallery global_parent=\"1058\" admin_label=\"Gallery\" gallery_ids=\"252,251,250,249,248,247,246\" fullwidth=\"off\" show_title_and_caption=\"off\" show_pagination=\"on\" background_layout=\"light\" auto=\"off\" auto_speed=\"7000\" hover_overlay_color=\"rgba(255,255,255,0.9)\" caption_all_caps=\"off\" use_border_color=\"off\" border_color=\"#ffffff\" border_style=\"solid\"] [\/et_pb_gallery][et_pb_text global_parent=\"1058\" admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\" use_border_color=\"off\" border_style=\"solid\" disabled=\"off\" border_color=\"#ffffff\"]<\/p>

BIOGRAPHIE<\/p>

N\u00e9e \u00e0 Montr\u00e9al en 1954, vit et travaille \u00e0 Montr\u00e9al.<\/p>

La peinture est le sujet du travail de Francine Savard. Clins d'oeil enjou\u00e9s \u00e0 la peinture formaliste, les toiles de Francine Savard, mises en espace d'une mani\u00e8re tr\u00e8s sp\u00e9cifique, se r\u00e9v\u00e8lent simultan\u00e9ment dans l'\u00e9vidence de la minutie extr\u00eame de leur processus de fabrication et dans leurs complexes r\u00e9seaux de r\u00e9f\u00e9rences \u00e0 l'histoire et au discours de\/et sur la peinture.<\/p>

Histoire des Expositions<\/p>

Born in Montr\u00e9al in 1954, lives and works in Montreal.<\/p>

Painting is both the subject matter and the form of Francine Savard's work. Playful allusions to specific moments in the history of modernist practice, her meticulously painted monochrome canvasses, often shaped, draw on a complex knot of references to conceptual approaches, motifs and paradigms to renew the poetics of the painted image.<\/p>

Exhibition History<\/p>

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paintings at Galerie Ren\u00e9 Blouin (Mtl-QC-CA)<\/title>\n<meta name=\"description\" content=\"NICOLAS LACHANCE's paintings represent a pictorial practice which tenaciously pursues the phenomena of appearance and disappearance.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriereneblouin.dreamhosters.com\/index.php\/project\/nicolas-lachance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NICOLAS LACHANCE - paintings at Galerie Ren\u00e9 Blouin (Mtl-QC-CA)\" \/>\n<meta property=\"og:description\" content=\"NICOLAS LACHANCE's paintings represent a pictorial practice which tenaciously pursues the phenomena of appearance and disappearance.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galeriereneblouin.dreamhosters.com\/index.php\/project\/nicolas-lachance\/\" \/>\n<meta property=\"og:site_name\" content=\"Galerie Ren\u00e9 Blouin\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/galeriereneblouin\/?rf=841723062533918\" \/>\n<meta property=\"article:modified_time\" content=\"2020-07-18T15:47:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galeriereneblouin.dreamhosters.com\/wp-content\/uploads\/2016\/09\/Vue2-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"673\" \/>\n\t<meta property=\"og:image:height\" content=\"432\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/galeriereneblouin.dreamhosters.com\/index.php\/project\/nicolas-lachance\/\",\"url\":\"https:\/\/galeriereneblouin.dreamhosters.com\/index.php\/project\/nicolas-lachance\/\",\"name\":\"NICOLAS LACHANCE - 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